Joonatan Itkonen
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Cannes 2024: Rendez-vouz Avec Pol Pot makes evil the default state of the world
Alkuperäinen artikkeli
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Quest Master is a hugely promising playground for Zelda fans
Alkuperäinen artikkeli
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Bad Boys: Ride or Die is a lifeless and drab parody of itself
Alkuperäinen artikkeli
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Star Wars: The Acolyte shows promise, but would be better as a film
Alkuperäinen artikkeli
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Ghost of Tsushima Director’s Cut finally arrives on PC as spectacular as ever
Alkuperäinen artikkeli
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Paper Mario: The Thousand-Year Door is a joyous nostalgia trip
Alkuperäinen artikkeli
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Cannes 2024: The Second Act is a messy fable about filmmaking
Alkuperäinen artikkeli
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Cannes 2024: My Sunshine is a touching coming of age story
Alkuperäinen artikkeli
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Love Lies Bleeding is a relentlessly gripping thriller
Alkuperäinen artikkeli
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Hit Man is the funniest and sexiest romantic comedy in years
Alkuperäinen artikkeli
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Cannes 2024: Ghost Trail is a tense and spectacular debut
Alkuperäinen artikkeli
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Atlas manages to make mechs boring
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Cannes 2024: Kinds of Kindness is a dull provocation without bite
Alkuperäinen artikkeli
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Cannes 2024: Emilia Perez is an intoxicating triumph
Alkuperäinen artikkeli
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Cannes 2024: The Substance is a shocking, provocative metaphor about dysmorphia
Alkuperäinen artikkeli
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Cannes 2024: Megalopolis is a sincere, chaotic work of visionary confusion
Alkuperäinen artikkeli
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Cannes 2024: Furiosa – A Mad Max Saga
Alkuperäinen artikkeli
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Furiosa – A Mad Max Saga
Alkuperäinen artikkeli
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Endless Ocean Luminous is a relaxing dive into the wonders of our natural world
Alkuperäinen artikkeli